In 2001, two Buddhist monks constructed a sand mandala in the Ackland Art Museum in North Carolina USA. It measured over five feet in diameter and is an exquisite piece of Tibetan Art. Construction is a delicate and painstaking process.
DRAWING THE MANDALA MAP. Click photo to visit Ackland Art Museum (www.ackland.org.art/exhibitions/buddhistart)
Throughout construction the monks pour millions of grains of fine sand, (usually coloured stones that have been ground) from traditional metal funnels called chakpur.
MANDALA IN PROGRESS - click photo to visit Ackland Art Museum
The intricate patterns and symbols within the piece are astounding. I love the vibrant colours, symmetry and symbolism of the work and can appreciate looking at the smallest corner or the piece as a whole.
CLOSE UP - click photo to visit Ackland Art Museum
CLOSER STILL. click photo to visit Ackland Art Museum
MANDALA GROWING. click photo to visit Ackland Art Museum
Once complete, the monks perform a closing ceremony that is very sacred and symbolic. The final product is an absolute wonder. Imagine a solid week of work creating this masterpiece. Imagine how your neck and shoulders might ache from being hunched over the board for all that time, gently and carefully placing grains of sand in just the right places.
MISSION ACCOMPLISHED. Click photo to visit Ackland Art Museum
The closing ceremony is a dismantling. The monks who took hours to create the mandala also sweep up the mandala, capturing again the coloured sand. (I want to cry – Noooooo!!!!)
BUT FOR A MOMENT. Click photo to visit Ackland Art Museum
In Tibetan culture this symbolises the transient nature of life and the impermanence of everything that exists. I suppose it means you really have to treasure something right in the moment, and remember it.
THE RITUAL. Click photo to visit Ackland Art Museum
The sand or coloured stone is never used twice. In some ceremonies it is given to the audience as a blessing, and reminder. Sometimes the sand is swept up, wrapped in silk and taken to a body of running water where it is released back into nature. Ashes to ashes and dust to dust, I guess. There is something lovely about that idea – it started as rock, came from the earth, was pummelled into sand, was handled carefully and deliberately, became beautiful, was celebrated then carefully returned to its source.
In Tibetan ritual arts
, the collaboration and execution of the sand mandala is considered much more important than the final product. It sounds like another way of saying the journey is more important than the destination. One day, it might just sink in…